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C♭ Augmented

Notes: C♭ - E♭ - G | Degrees: 1 - 3 - ♯5 | Written: C♭aug, C♭+

Construction: Root, Major 3rd, Augmented 5th

It is formed by two stacked major thirds: Cb to Eb (4 semitones) and Eb to G (4 semitones)

Fingering: RH 1-3-5, LH 5-3-1

Inversions: Root C♭aug - 1st C♭aug/E♭ - 2nd C♭aug/G

Related boards
C♭aug8 st, 110.0 mmRoot position, figured bass 5/3

C♭3, E♭4, G4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightC♭, E♭, G1-3-5
LeftC♭, E♭, G5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

C♭ Augmented: notes and degrees

C♭aug contains C♭, E♭ and G. Two stacked major thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1C♭Perfect unison0
3E♭Major third4
♯5GMinor sixth8

E♭ is a black key; C♭ and G are white.

Construction

C♭ Augmented = Root + Major 3rd + Minor 6th = C♭, E♭, G
NoteIntervalDegree
C♭Root1
E♭Major 3rd3
GMinor 6th♯5

Fingering

NoteKey colorRight handLeft hand
C♭whitethumb (1)little finger (5)
E♭blackmiddle finger (3)middle finger (3)
Gwhitelittle finger (5)thumb (1)

Right hand: thumb (1) on C♭, middle finger (3) on E♭, little finger (5) on G.

Left hand: little finger (5) on C♭, middle finger (3) on E♭, thumb (1) on G.

C♭ Augmented Inversions

  • Root position
    C♭ – E♭ – G
  • 1st inversion (C♭aug/E♭)
    E♭ – G – C♭
  • 2nd inversion (C♭aug/G)
    G – C♭ – E♭

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of C♭ Major

These are the triads built on each degree of C♭ Major:

C1C2C3C4C♭C5C6C7C8E♭G♭
IC♭ Major (major)
DegreeNumeralChordQuality
1IC♭ MajorMajor
2iiD♭ MinorMinor
3iiiE♭ MinorMinor
4IVF♭ MajorMajor
5VG♭ MajorMajor
6viA♭ MinorMinor
7vii°B♭ DiminishedDiminished

Same Notes, Other Names

The notes C♭ – E♭ – G aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

C♭ Augmented : Frequently Asked Questions

What notes are in C♭aug?
C♭aug contains C♭, E♭ and G. The formula is 1, 3, ♯5.
How do you play C♭aug on piano?
Play C♭, E♭ and G together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. E♭ is a black key; C♭ and G are white.
What are the inversions of C♭aug?
3 positions: root position C♭ E♭ G, C♭aug/E♭, C♭aug/G.
What is the difference between C♭aug and C♭aug7?
Adds B♭♭. 3 of the notes are shared.
What is an easy C♭aug for small hands?
The root and third only voicing, C♭3 E♭4, spans 4 semitones or about 55 mm.
What are the frequencies of C♭aug?
From C♭3 at A440 in 12-TET: 246.94, 311.13, 392.00 Hz.
What is the set class of C♭aug?
Prime form (048), Forte 3-12, interval vector <000300>.
How do I transpose C♭aug to another key?
Keep the 1, 3, ♯5 formula on the new root. Caug is C, E, G♯; D♭aug is D♭, F, A.
Is Baug the same as C♭aug?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

C♭ Augmented in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC♭3 E♭4 G48110 mmnoneidentical
Close, first inversionE♭4 G4 C♭48110 mmnoneidentical
Close, second inversionG4 C♭4 E♭58110 mmnoneidentical
Open, fifth on topC♭2 G3 E♭416220 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyC♭3 E♭4455 mmomits Gsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
C♭aug7adds B♭♭1 3 ♯5 ♭73
C♭G becomes G♭1 3 52
C♭maj7G becomes G♭, B♭1 3 5 72
C♭7G becomes G♭, B♭♭1 3 5 ♭72
C♭6G becomes G♭, A♭1 3 5 62
C♭add9G becomes G♭, D♭1 3 5 92
C♭mE♭, G becomes E♭♭, G♭1 ♭3 51
C♭dimE♭, G becomes E♭♭, G♭♭1 ♭3 ♭51
C♭sus2E♭, G becomes D♭, G♭1 2 51
C♭sus4E♭, G becomes F♭, G♭1 4 51

Frequencies

NoteMIDIFrequency
C♭359246.94 Hz
E♭463311.13 Hz
G467392.00 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 3, 7}
Normal order
[3, 7, 11]
Prime form
(048)
Forte number
3-12
Interval vector
<000300>
PairIntervalSemitonesInterval class
C♭ to E♭Major third44
C♭ to GMinor sixth84
E♭ to GMajor third44

Where these facts come from

Every value on this page is derived from the note formula for a augmented applied to the root C♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  2. 2. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  3. 3. Percy Goetschius (1889)

    The Material Used in Musical Composition

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data