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C♭ Diminished 7th

Notes: C♭ - E♭♭ - G♭♭ - A♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: C♭dim7, C♭°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root C♭dim7 - 1st C♭dim7/E♭♭ - 2nd C♭dim7/G♭♭ - 3rd C♭dim7/A♭

Related boards
C♭dim79 st, 124.0 mmRoot position, figured bass 7

C♭3, E♭♭4, G♭♭4, B♭♭♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightC♭, E♭♭, G♭♭, B♭♭♭1-2-3-5
LeftC♭, E♭♭, G♭♭, B♭♭♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

C♭ Diminished 7th: notes and degrees

C♭dim7 contains C♭, E♭♭, G♭♭ and B♭♭♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1C♭Perfect unison0
♭3E♭♭Minor third3
♭5G♭♭Tritone6
♭♭7B♭♭♭Major sixth9

B♭♭♭ is a black key; C♭, E♭♭ and G♭♭ are white.

Construction

C♭ Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = C♭, E♭♭, G♭♭, A♭
NoteIntervalDegree
C♭Root1
E♭♭Minor 3rd♭3
G♭♭Diminished 5th♭5
A♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
C♭whitethumb (1)little finger (5)
E♭♭whiteindex finger (2)middle finger (3)
G♭♭whitemiddle finger (3)index finger (2)
A♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on C♭, index finger (2) on E♭♭, middle finger (3) on G♭♭, little finger (5) on A♭.

Left hand: little finger (5) on C♭, middle finger (3) on E♭♭, index finger (2) on G♭♭, thumb (1) on A♭.

C♭ Diminished 7th Inversions

  • Root position
    C♭ – E♭♭ – G♭♭ – A♭
  • 1st inversion (C♭dim7/E♭♭)
    E♭♭ – G♭♭ – A♭ – C♭
  • 2nd inversion (C♭dim7/G♭♭)
    G♭♭ – A♭ – C♭ – E♭♭
  • 3rd inversion (C♭dim7/A♭)
    A♭ – C♭ – E♭♭ – G♭♭

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of C♭ Major

These are the triads built on each degree of C♭ Major:

C1C2C3C4C♭C5C6C7C8E♭G♭
IC♭ Major (major)
DegreeNumeralChordQuality
1IC♭ MajorMajor
2iiD♭ MinorMinor
3iiiE♭ MinorMinor
4IVF♭ MajorMajor
5VG♭ MajorMajor
6viA♭ MinorMinor
7vii°B♭ DiminishedDiminished

Same Notes, Other Names

The notes C♭ – E♭♭ – G♭♭ – A♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

C♭ Diminished 7th : Frequently Asked Questions

What is the C♭ Diminished 7th chord on piano?
The C♭ Diminished 7th chord contains the notes C♭ – E♭♭ – G♭♭ – A♭. On piano, play these notes together to sound the chord.
What notes are in the Cb Diminished 7th chord?
The Cb Diminished 7th chord (Cbdim7) contains four notes: Cb (root), Ebb (minor third, enharmonically D), Gbb (diminished fifth, enharmonically F), and Bbbb (diminished seventh, enharmonically Ab). This is the enharmonic equivalent of Bdim7.
How does Cb Diminished 7th differ from Cb Diminished?
Cb Diminished is a three-note triad. Cb Diminished 7th adds the diminished seventh, completing the symmetrical four-note structure. In practice, Bdim7 is the preferred spelling.
Why is the Diminished 7th chord symmetrical?
Cbdim7 contains the same pitches as Ddim7, Fdim7, and Abdim7: all inversions of the same four notes. Only three unique dim7 chords exist in total.
How is Cb Diminished 7th used in music?
Cbdim7 is the enharmonic equivalent of Bdim7, which functions as the vii°7 in C Major. In practice, musicians write Bdim7. The Cb spelling appears in extreme flat-key theoretical contexts.
What songs use Diminished 7th chords?
Diminished 7th chords appear in Michelle (Beatles), throughout Chopin and Beethoven, and in jazz standards. Whether spelled Cbdim7 or Bdim7, the sound is identical.
How many unique Diminished 7th chords exist?
Only three. Cbdim7 shares its notes with Bdim7, Ddim7, Fdim7, and Abdim7. All 12 roots map to just three distinct sounds.

C♭ Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC♭3 E♭♭4 G♭♭4 B♭♭♭49124 mmnoneidentical
Close, first inversionE♭♭4 G♭♭4 B♭♭♭4 C♭49124 mmnoneidentical
Close, second inversionG♭♭4 B♭♭♭4 C♭4 E♭♭59124 mmnoneidentical
Close, third inversionB♭♭♭4 C♭4 E♭♭5 G♭♭59124 mmnoneidentical
Drop 2G♭♭3 C♭3 E♭♭4 B♭♭♭415206 mmnoneidentical
Drop 3E♭♭3 C♭3 G♭♭4 B♭♭♭418248 mmnoneidentical
Drop 2 and 4C♭2 G♭♭3 E♭♭4 B♭♭♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3C♭2 B♭♭♭3 E♭♭415206 mmomits G♭♭subset
Guide tones, ♭3 and ♭♭7E♭♭4 B♭♭♭4683 mmomits C♭ and G♭♭subset
Rootless closeE♭♭4 G♭♭4 B♭♭♭4683 mmomits C♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
C♭dimdrops B♭♭♭1 ♭3 ♭53
C♭m7♭5B♭♭♭ becomes B♭♭1 ♭3 ♭5 ♭73
C♭m6G♭♭ becomes G♭1 ♭3 5 63
C♭mG♭♭, B♭♭♭ becomes G♭1 ♭3 52
C♭m7G♭♭, B♭♭♭ becomes G♭, B♭♭1 ♭3 5 ♭72
C♭mMaj7G♭♭, B♭♭♭ becomes G♭, B♭1 ♭3 5 72
C♭6E♭♭, G♭♭ becomes E♭, G♭1 3 5 62

Frequencies

NoteMIDIFrequency
C♭359246.94 Hz
E♭♭462293.66 Hz
G♭♭465349.23 Hz
B♭♭♭468415.30 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 2, 5, 8}
Normal order
[2, 5, 8, 11]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
C♭ to E♭♭Minor third33
C♭ to G♭♭Tritone66
C♭ to B♭♭♭Major sixth93
E♭♭ to G♭♭Minor third33
E♭♭ to B♭♭♭Tritone66
G♭♭ to B♭♭♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root C♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.