Skip to content
piano.org
A piano reference: chords, scales, theory. Full MIDI.

A Diminished 7th

Notes: A - C - E♭ - G♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: Adim7, A°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Adim7 - 1st Adim7/C - 2nd Adim7/E♭ - 3rd Adim7/G♭

Related boards
First inversion9 st, 124.0 mmFigured bass: 6/5

C4, E♭4, G♭4, A4

Fingerings

First inversion: either hand, fingers low note to high
HandNotesFingers
RightC, E♭, G♭, A1-2-4-5
LeftC, E♭, G♭, A5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

A Diminished 7th: notes and degrees

Adim7 contains A, C, E♭ and G♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1APerfect unison0
♭3CMinor third3
♭5E♭Tritone6
♭♭7G♭Major sixth9

E♭ and G♭ are black keys; A and C are white.

Construction

A Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = A, C, E♭, G♭
NoteIntervalDegree
ARoot1
CMinor 3rd♭3
E♭Diminished 5th♭5
G♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
Awhitethumb (1)little finger (5)
Cwhiteindex finger (2)middle finger (3)
E♭blackmiddle finger (3)index finger (2)
G♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on A, index finger (2) on C, middle finger (3) on E♭, little finger (5) on G♭.

Left hand: little finger (5) on A, middle finger (3) on C, index finger (2) on E♭, thumb (1) on G♭.

A Diminished 7th Inversions

  • Root position
    A – C – E♭ – G♭
  • 1st inversion (Adim7/C)
    C – E♭ – G♭ – A
  • 2nd inversion (Adim7/E♭)
    E♭ – G♭ – A – C
  • 3rd inversion (Adim7/G♭)
    G♭ – A – C – E♭

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of A Major

These are the triads built on each degree of A Major:

C1C2C3C4AC5EC6C7C8C♯
IA Major (major)
DegreeNumeralChordQuality
1IA MajorMajor
2iiB MinorMinor
3iiiC♯ MinorMinor
4IVD MajorMajor
5VE MajorMajor
6viF♯ MinorMinor
7vii°G♯ DiminishedDiminished

Same Notes, Other Names

The notes A – C – E♭ – G♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

A Diminished 7th : Frequently Asked Questions

What is the A Diminished 7th chord on piano?
The A Diminished 7th chord contains the notes A – C – E♭ – G♭. On piano, play these notes together to sound the chord.
What notes are in the A Diminished 7th chord?
The A Diminished 7th chord (Adim7) contains four notes: A (root), C (minor third), Eb (diminished fifth), and Gb (diminished seventh). All four notes are spaced exactly 3 semitones apart, making this a perfectly symmetrical chord.
How does A Diminished 7th differ from A Diminished?
A Diminished is a three-note triad (A, C, Eb). A Diminished 7th adds Gb as the diminished seventh, completing the symmetrical four-note structure and maximising harmonic tension.
Why is the Diminished 7th chord symmetrical?
Adim7 contains the same pitches as Cdim7, Ebdim7, and Gbdim7: all inversions of the same four notes (C, Eb, Gb, A). Only three unique dim7 chords exist.
How is A Diminished 7th used in music?
Adim7 functions as the vii°7 of Bb, resolving up by half step to Bb Major. It is common in classical music, jazz, and gospel as a leading-tone chord and chromatic passing chord. Bb Major is one of the most important keys in jazz.
What songs use Diminished 7th chords?
Diminished 7th chords appear in Michelle (Beatles), throughout Chopin and Beethoven, and in jazz standards. Adim7 often appears in pieces in Bb Major as the leading-tone chord.
How many unique Diminished 7th chords exist?
Only three. Adim7 shares its notes with Cdim7, Ebdim7, and Gbdim7. The other two groups are Dbdim7 and Ddim7.

A Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionA3 C4 E♭4 G♭49124 mmnoneidentical
Close, first inversionC4 E♭4 G♭4 A49124 mmnoneidentical
Close, second inversionE♭4 G♭4 A4 C59124 mmnoneidentical
Close, third inversionG♭4 A4 C5 E♭59124 mmnoneidentical
Drop 2E♭3 A3 C4 G♭415206 mmnoneidentical
Drop 3C3 A3 E♭4 G♭418248 mmnoneidentical
Drop 2 and 4A2 E♭3 C4 G♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3A2 G♭3 C415206 mmomits E♭subset
Guide tones, ♭3 and ♭♭7C4 G♭4683 mmomits A and E♭subset
Rootless closeC4 E♭4 G♭4683 mmomits Asubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Adimdrops G♭1 ♭3 ♭53
Am7♭5G♭ becomes G1 ♭3 ♭5 ♭73
Am6E♭ becomes E1 ♭3 5 63
AmE♭, G♭ becomes E1 ♭3 52
Am7E♭, G♭ becomes E, G1 ♭3 5 ♭72
AmMaj7E♭, G♭ becomes E, G♯1 ♭3 5 72
A6C, E♭ becomes C♯, E1 3 5 62

Frequencies

NoteMIDIFrequency
A357220.00 Hz
C460261.63 Hz
E♭463311.13 Hz
G♭466369.99 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{9, 0, 3, 6}
Normal order
[0, 3, 6, 9]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
A to CMinor third33
A to E♭Tritone66
A to G♭Major sixth93
C to E♭Minor third33
C to G♭Tritone66
E♭ to G♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root A, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.