Construction
| Note | Interval | Degree |
|---|---|---|
| F♯ | Root | 1 |
| A | Minor 3rd | ♭3 |
| C | Diminished 5th | ♭5 |
| E♭ | Major 6th | 6 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| F♯ | black | index finger (2) | little finger (5) |
| A | white | middle finger (3) | ring finger (4) |
| C | white | ring finger (4) | middle finger (3) |
| E♭ | black | little finger (5) | index finger (2) |
Right hand: index finger (2) on F♯, middle finger (3) on A, ring finger (4) on C, little finger (5) on E♭.
Left hand: little finger (5) on F♯, ring finger (4) on A, middle finger (3) on C, index finger (2) on E♭.
F♯ Diminished 7th Inversions
- Root positionF♯ – A – C – E♭
- 1st inversion (F♯dim7/A)A – C – E♭ – F♯
- 2nd inversion (F♯dim7/C)C – E♭ – F♯ – A
- 3rd inversion (F♯dim7/E♭)E♭ – F♯ – A – C
Key Signature
A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.
Chords in the Key of F♯ Major
These are the triads built on each degree of F♯ Major:
Same Notes, Other Names
The notes F♯ – A – C – E♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:
F♯ Diminished 7th : Frequently Asked Questions
What is the F♯ Diminished 7th chord on piano?
What is the F# piano chord?
What notes are in the F# Diminished 7th chord?
How is the F# Diminished 7th chord used in music?
What is the fingering for F# Diminished 7th?
What are the inversions of F# Diminished 7th?
F♯ Diminished 7th in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | F♯3 A3 C4 E♭4 | 9 | 124 mm | none | identical | |
| Close, first inversion | A3 C4 E♭4 F♯4 | 9 | 124 mm | none | identical | |
| Close, second inversion | C4 E♭4 F♯4 A4 | 9 | 124 mm | none | identical | |
| Close, third inversion | E♭4 F♯4 A4 C5 | 9 | 124 mm | none | identical | |
| Drop 2 | C3 F♯3 A3 E♭4 | 15 | 206 mm | none | identical | |
| Drop 3 | A2 F♯3 C4 E♭4 | 18 | 248 mm | none | identical | |
| Drop 2 and 4 | F♯2 C3 A3 E♭4 | 21 | 289 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Shell, root ♭♭7 ♭3 | F♯2 E♭3 A3 | 15 | 206 mm | omits C | subset | |
| Guide tones, ♭3 and ♭♭7 | A3 E♭4 | 6 | 83 mm | omits F♯ and C | subset | |
| Rootless close | A3 C4 E♭4 | 6 | 83 mm | omits F♯ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | F♯ | F♯3, A3, C4, E♭4 | 7 | 9 | 124 mm |
| First inversion: F♯dim7/A | A | A3, C4, E♭4, F♯4 | 6/5 | 9 | 124 mm |
| Second inversion: F♯dim7/C | C | C4, E♭4, F♯4, A4 | 4/3 | 9 | 124 mm |
| Third inversion: F♯dim7/E♭ | E♭ | E♭4, F♯4, A4, C5 | 4/2 | 9 | 124 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| F♯dim | drops E♭ | 1 ♭3 ♭5 | 3 |
| F♯m7♭5 | E♭ becomes E | 1 ♭3 ♭5 ♭7 | 3 |
| F♯m6 | C becomes C♯ | 1 ♭3 5 6 | 3 |
| F♯m | C, E♭ becomes C♯ | 1 ♭3 5 | 2 |
| F♯m7 | C, E♭ becomes C♯, E | 1 ♭3 5 ♭7 | 2 |
| F♯mMaj7 | C, E♭ becomes C♯, E♯ | 1 ♭3 5 7 | 2 |
| F♯6 | A, C becomes A♯, C♯ | 1 3 5 6 | 2 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| F♯3 | 54 | 185.00 Hz |
| A3 | 57 | 220.00 Hz |
| C4 | 60 | 261.63 Hz |
| E♭4 | 63 | 311.13 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {6, 9, 0, 3}
- Normal order
- [0, 3, 6, 9]
- Prime form
- (0369)
- Forte number
- 4-28
- Interval vector
- <004002>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| F♯ to A | Minor third | 3 | 3 |
| F♯ to C | Tritone | 6 | 6 |
| F♯ to E♭ | Major sixth | 9 | 3 |
| A to C | Minor third | 3 | 3 |
| A to E♭ | Tritone | 6 | 6 |
| C to E♭ | Minor third | 3 | 3 |
Where these facts come from
Every value on this page is derived from the note formula for a diminished 7th applied to the root F♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.