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F♯ Diminished 7th

Notes: F♯ - A - C - E♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: F♯dim7, F♯°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root F♯dim7 - 1st F♯dim7/A - 2nd F♯dim7/C - 3rd F♯dim7/E♭

G♭ Diminished 7th
This is the same chord as G♭ Diminished 7th: the same keys on the keyboard, spelled with flats.
Related boards
Second inversion9 st, 124.0 mmFigured bass: 4/3

C4, E♭4, F♯4, A4

Fingerings

Second inversion: either hand, fingers low note to high
HandNotesFingers
RightC, E♭, F♯, A1-2-3-5
LeftC, E♭, F♯, A5-4-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

F♯ Diminished 7th: notes and degrees

F♯dim7 contains F♯, A, C and E♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1F♯Perfect unison0
♭3AMinor third3
♭5CTritone6
♭♭7E♭Major sixth9

F♯ and E♭ are black keys; A and C are white.

Construction

F♯ Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = F♯, A, C, E♭
NoteIntervalDegree
F♯Root1
AMinor 3rd♭3
CDiminished 5th♭5
E♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
F♯blackindex finger (2)little finger (5)
Awhitemiddle finger (3)ring finger (4)
Cwhitering finger (4)middle finger (3)
E♭blacklittle finger (5)index finger (2)

Right hand: index finger (2) on F♯, middle finger (3) on A, ring finger (4) on C, little finger (5) on E♭.

Left hand: little finger (5) on F♯, ring finger (4) on A, middle finger (3) on C, index finger (2) on E♭.

F♯ Diminished 7th Inversions

  • Root position
    F♯ – A – C – E♭
  • 1st inversion (F♯dim7/A)
    A – C – E♭ – F♯
  • 2nd inversion (F♯dim7/C)
    C – E♭ – F♯ – A
  • 3rd inversion (F♯dim7/E♭)
    E♭ – F♯ – A – C

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of F♯ Major

These are the triads built on each degree of F♯ Major:

C1C2C3C4C5C6C7C8F♯A♯C♯
IF♯ Major (major)
DegreeNumeralChordQuality
1IF♯ MajorMajor
2iiG♯ MinorMinor
3iiiA♯ MinorMinor
4IVB MajorMajor
5VC♯ MajorMajor
6viD♯ MinorMinor
7vii°E♯ DiminishedDiminished

Same Notes, Other Names

The notes F♯ – A – C – E♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

F♯ Diminished 7th : Frequently Asked Questions

What is the F♯ Diminished 7th chord on piano?
The F♯ Diminished 7th chord contains the notes F♯ – A – C – E♭. On piano, play these notes together to sound the chord.
What is the F# piano chord?
The F# piano chord (written F♯ Diminished 7th) uses the same keys: F♯ – A – C – E♭. The # and ♯ symbols name the same black key.
What notes are in the F# Diminished 7th chord?
F# Diminished 7th is built from the F# root. Check the interactive keyboard above for exact notes and fingering.
How is the F# Diminished 7th chord used in music?
F# Diminished 7th appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Diminished 7th).
What is the fingering for F# Diminished 7th?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of F# Diminished 7th?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.

F♯ Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionF♯3 A3 C4 E♭49124 mmnoneidentical
Close, first inversionA3 C4 E♭4 F♯49124 mmnoneidentical
Close, second inversionC4 E♭4 F♯4 A49124 mmnoneidentical
Close, third inversionE♭4 F♯4 A4 C59124 mmnoneidentical
Drop 2C3 F♯3 A3 E♭415206 mmnoneidentical
Drop 3A2 F♯3 C4 E♭418248 mmnoneidentical
Drop 2 and 4F♯2 C3 A3 E♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3F♯2 E♭3 A315206 mmomits Csubset
Guide tones, ♭3 and ♭♭7A3 E♭4683 mmomits F♯ and Csubset
Rootless closeA3 C4 E♭4683 mmomits F♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
F♯dimdrops E♭1 ♭3 ♭53
F♯m7♭5E♭ becomes E1 ♭3 ♭5 ♭73
F♯m6C becomes C♯1 ♭3 5 63
F♯mC, E♭ becomes C♯1 ♭3 52
F♯m7C, E♭ becomes C♯, E1 ♭3 5 ♭72
F♯mMaj7C, E♭ becomes C♯, E♯1 ♭3 5 72
F♯6A, C becomes A♯, C♯1 3 5 62

Frequencies

NoteMIDIFrequency
F♯354185.00 Hz
A357220.00 Hz
C460261.63 Hz
E♭463311.13 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 9, 0, 3}
Normal order
[0, 3, 6, 9]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
F♯ to AMinor third33
F♯ to CTritone66
F♯ to E♭Major sixth93
A to CMinor third33
A to E♭Tritone66
C to E♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root F♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.