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B Minor

Reviewed for accuracy · Last updated June 2026 · Maintained by Justin Evans

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Bm
B – D – F♯
Right Hand Fingering:1 – 3 – 5
Left Hand Fingering:5 – 3 – 1
Formula:R-m3-P5
Intervals:P1-m3-P5
Scale Degrees:1-b3-5

Practice B Minor

Reading about it is one thing. Drilling it is what makes it automatic.

Chord DrillTimed drills — build speed and recognitionPractice RoomPlug in a MIDI keyboard for real-time feedback

Introduction

B Minor piano chord, root position — B, D, F#
The B Minor chord in root position on a piano keyboard, notes B, D, F#.

The B Minor chord is a three-note chord made up of B, D, and F♯. It is built from a root, minor third, and perfect fifth.

Notes

Notes:B – D – F♯

How to Play the B Minor

Right Hand (RH)

Place your right hand over the keys with the thumb on the root. Use the fingering: 1 – 3 – 5

Left Hand (LH)

For the left hand, start with your pinky on the root. Use the fingering: 5 – 3 – 1

B Minor Inversions

B Minor piano chord, 1st inversion — D, F#, B
The B Minor chord, 1st inversion, on a piano keyboard.
B Minor piano chord, 2nd inversion — F#, B, D
The B Minor chord, 2nd inversion, on a piano keyboard.
PositionNotes
Root PositionB – D – F♯
1st InversionD – F♯ – B
2nd InversionF♯ – B – D

Key Signature

A chord has no key signature of its own, but the B Minor is the tonic (i) chord of B Minor, which shares the signature of its relative major, D Major2 sharps (F♯, C♯).

F♯C♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of B Minor

These are the triads built on each degree of the B minor scale:

C1C2C3C4BC5DC6C7C8F#
iB Minor (minor)
DegreeNumeralChordQuality
1iB MinorMinor
2ii°C♯ DiminishedDiminished
3IIID MajorMajor
4ivE MinorMinor
5vF♯ MinorMinor
6VIG MajorMajor
7VIIA MajorMajor

Common B Minor Progressions

Pick a progression and press play. Change the key to hear it anywhere — every chord is built from the same theory as the chord pages, so the notes always agree.

Version
C1C2C3C4BC5DC6C7C8F#
iBm
80 BPM
Sounds a little stiff and jumpy? There’s a reason —

The epic minor loop — cinematic and driving, heard across pop, rock and film scores.

Theory: Intervals

Formula: R-m3-P5
Intervals: P1-m3-P5

The B Minor is built by stacking intervals from the root note. The formula R-m3-P5 describes the scale degrees used. The intervals P1-m3-P5 show the distance between each note in the chord.

B Minor — Frequently Asked Questions

What is the B Minor chord on piano?
The B Minor chord contains the notes B – D – F♯. On piano, play these notes together to sound the chord.
What notes make up the B Minor chord?
B Minor contains three notes: B (root), D (minor third), and F# (perfect fifth). F# is a black key, making B Minor slightly more challenging than all-white-key minor chords but still comfortable once located.
What fingering do I use for B Minor?
Right hand: finger 1 on B, finger 3 on D, finger 5 on F#. Left hand: finger 5 on B, finger 3 on D, finger 1 on F#. Finger 5 (right hand) reaches up to the black key F# while 1 and 3 rest on white keys.
What are the inversions of B Minor?
First inversion (Bm/D): D–F#–B. Second inversion (Bm/F#): F#–B–D. Bm/D is very common in D Major pieces — it creates a smooth bass motion between D Major and B Minor since D is shared.
What songs use the B Minor chord?
B Minor appears in Wonderwall (Oasis, adapted), Fast Car (Tracy Chapman), Hotel California (Eagles, in the Bm section), and is the vi chord in D Major — meaning it appears in nearly every song in D. Many Baroque pieces by Bach use B Minor extensively.
What chords pair well with B Minor?
In B Minor: G Major (VI), D Major (III), A Major (VII), F# Major (V). Bm–G–D–A is one of the most common pop four-chord sequences. Bm–A–G–F# (i–VII–VI–V) is a classic descending minor pattern.
How does B Minor relate to D Major?
B Minor is the relative minor of D Major — both share the key signature of two sharps (F# and C#). This means songs in D Major often dip into Bm naturally (it is the vi chord), and pieces in B Minor can borrow D Major as the III chord without modulation.

Practice Tips

  • Locate F# first — it is the black key between F and G. Let your pinky arch up to it while fingers 1 and 3 stay on B and D.
  • Practice Bm → G → D → A as a loop — this is one of the most commercially successful chord progressions ever recorded.
  • Compare Bm and B Major: only D vs D# changes but the mood shift is stark — practice switching to hear the contrast.
  • Work inversions: B–D–F# (root), D–F#–B (1st), F#–B–D (2nd) — 1st inversion is particularly common in D Major progressions.
  • Practice Bm → F# → G → A (i–V–VI–VII) — a common dark-to-hopeful progression in minor key pop and folk.

Related Tools

Chord FinderLook up any chord — see the notes, hear it, and play along.Chord DrillTimed drills to build speed and recognition across all chord types.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Circle of FifthsVisualize key relationships, relative minors, and key signatures.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

How this chord page is sourced & verified

The note names, intervals, fingering, and harmony on this page are drawn from the established body of Western music theory and verified against the conventions below — the same fundamentals taught in conservatories and music programs. We list categories of source material rather than individual titles, and reference the standards themselves rather than any single edition.

  • Standard music theory textsWidely taught fundamentals of pitch, rhythm, and notation.
  • Western tonal harmony conventionsEstablished rules for chord construction, voice leading, and key relationships.
  • Interval and chord construction standardsThe conventional spelling of intervals, triads, sevenths, and extensions.
  • Scale and mode theoryThe common derivation of major, minor, pentatonic, blues, and modal scales.
  • Piano pedagogy and technique referencesLong-standing practices for fingering, hand position, and practice.

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