Construction
| Note | Interval | Degree |
|---|---|---|
| G♭ | Root | 1 |
| B♭♭ | Minor 3rd | ♭3 |
| D♭♭ | Diminished 5th | ♭5 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| G♭ | black | thumb (1) | little finger (5) |
| B♭♭ | white | middle finger (3) | middle finger (3) |
| D♭♭ | white | little finger (5) | thumb (1) |
Right hand: thumb (1) on G♭, middle finger (3) on B♭♭, little finger (5) on D♭♭.
Left hand: little finger (5) on G♭, middle finger (3) on B♭♭, thumb (1) on D♭♭.
G♭ Diminished Inversions
- Root positionG♭ – B♭♭ – D♭♭
- 1st inversion (G♭dim/B♭♭)B♭♭ – D♭♭ – G♭
- 2nd inversion (G♭dim/D♭♭)D♭♭ – G♭ – B♭♭
Key Signature
A Diminished chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.
Chords in the Key of G♭ Major
These are the triads built on each degree of G♭ Major:
Scales That Include the G♭ Diminished
- G Major (vii°)
- E Minor (ii°)
- A Dorian (vi°)
- B Phrygian (v°)
- C Lydian (#iv°)
- D Mixolydian (iii°)
- E Aeolian (ii°)
- F# Locrian (i°)
G♭ Diminished : Frequently Asked Questions
What notes are in G♭dim?
How do you play G♭dim on piano?
What are the inversions of G♭dim?
What keys contain G♭dim?
What is the difference between G♭dim and G♭m7♭5?
What is an easy G♭dim for small hands?
What are the frequencies of G♭dim?
What is the set class of G♭dim?
How do I transpose G♭dim to another key?
Is F♯dim the same as G♭dim?
G♭ Diminished in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | G♭3 B♭♭3 D♭♭4 | 6 | 83 mm | none | identical | |
| Close, first inversion | B♭♭3 D♭♭4 G♭4 | 9 | 124 mm | none | identical | |
| Close, second inversion | D♭♭4 G♭4 B♭♭4 | 9 | 124 mm | none | identical | |
| Open, fifth on top | G♭2 D♭♭3 B♭♭3 | 15 | 206 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Root and third only | G♭3 B♭♭3 | 3 | 41 mm | omits D♭♭ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | G♭ | G♭3, B♭♭3, D♭♭4 | 5/3 | 6 | 83 mm |
| First inversion: G♭dim/B♭♭ | B♭♭ | B♭♭3, D♭♭4, G♭4 | 6/3 | 9 | 124 mm |
| Second inversion: G♭dim/D♭♭ | D♭♭ | D♭♭4, G♭4, B♭♭4 | 6/4 | 9 | 124 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|---|---|---|---|
| ii°, v, i | E minor | ii° | F♯dim to Bm to Em | G♭dim opens the phrase |
| vii°, I | G major | vii° | F♯dim to G | G♭dim opens the phrase |
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Which keys it belongs to
| Key | Roman numeral | Function |
|---|---|---|
| E minor | ii° | Predominant |
| G major | vii° | Dominant function |
Classification system: common-practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| G♭m7♭5 | adds F♭ | 1 ♭3 ♭5 ♭7 | 3 |
| G♭dim7 | adds F♭♭ | 1 ♭3 ♭5 ♭♭7 | 3 |
| G♭m | D♭♭ becomes D♭ | 1 ♭3 5 | 2 |
| G♭m7 | D♭♭ becomes D♭, F♭ | 1 ♭3 5 ♭7 | 2 |
| G♭mMaj7 | D♭♭ becomes D♭, F | 1 ♭3 5 7 | 2 |
| G♭m6 | D♭♭ becomes D♭, E♭ | 1 ♭3 5 6 | 2 |
| G♭ | B♭♭, D♭♭ becomes B♭, D♭ | 1 3 5 | 1 |
| G♭aug | B♭♭, D♭♭ becomes B♭, D | 1 3 ♯5 | 1 |
| G♭sus2 | B♭♭, D♭♭ becomes A♭, D♭ | 1 2 5 | 1 |
| G♭sus4 | B♭♭, D♭♭ becomes C♭, D♭ | 1 4 5 | 1 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| G♭3 | 54 | 185.00 Hz |
| B♭♭3 | 57 | 220.00 Hz |
| D♭♭4 | 60 | 261.63 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {6, 9, 0}
- Normal order
- [6, 9, 0]
- Prime form
- (036)
- Forte number
- 3-10
- Interval vector
- <002001>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| G♭ to B♭♭ | Minor third | 3 | 3 |
| G♭ to D♭♭ | Tritone | 6 | 6 |
| B♭♭ to D♭♭ | Minor third | 3 | 3 |
Where these facts come from
Every value on this page is derived from the note formula for a diminished applied to the root G♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.