Most songs you know are built on a handful of chord progressions. This index turns the reference around: instead of starting from a pattern, it starts from the music, grouping recognizable songs under the progression each one is built on. Every progression name links to a full page where you can hear the pattern and move it to any key. These are factual references to which progression a song uses, titles and artists only.
Foundations & notation
FoundationsT → PD → D → T
- "Twinkle Twinkle Little Star"
- "Let It Be", The Beatles
- "La Bamba", Ritchie Valens
Roman NumeralsI ii iii IV V vi vii°
- Used in every classical analysis
- Nashville Number System variants
- Jazz lead sheets
Cadences
CadencesV → I · IV → I · V → vi · ♭II → I
- "Amen" endings in hymns
- Beethoven's authentic cadences
- Spanish Phrygian halves
Standard & genre
Standard ProgressionsI–IV–V–I · I–V–vi–IV · I–vi–IV–V
- "Let It Be", The Beatles
- "Don't Stop Believin'", Journey
- "No Woman No Cry", Bob Marley
Circle of Fifths Progressionsvi – ii – V – I · I – IV – vii° – iii – vi – ii – V – I
- "Autumn Leaves"
- "I Will Survive", Gloria Gaynor
- "Fly Me to the Moon"
Minor Progressionsi · iv · V · i
- "Losing My Religion" by R.E.M.
- "Stairway to Heaven" by Led Zeppelin
- "Smells Like Teen Spirit" by Nirvana
Sad Progressionsi · VI · III · VII
- "Mad World" by Gary Jules
- "Hurt" by Nine Inch Nails
- "Hallelujah" by Leonard Cohen
Blues ProgressionsI7 · IV7 · V7 (across 12 bars)
- "Sweet Home Chicago"
- "Hound Dog", Elvis Presley
- "Pride and Joy", Stevie Ray Vaughan
Jazz Progressionsii7 – V7 – Imaj7
- "Autumn Leaves"
- "All the Things You Are", Jerome Kern
- "Giant Steps", John Coltrane
Pop Chord ProgressionsI – V – vi – IV · vi – IV – I – V · I – IV – vi – V
- "Let It Be", The Beatles
- "No Woman No Cry", Bob Marley
- "Someone Like You", Adele
Doo-Wop ProgressionsI – vi – IV – V · I – vi – ii – V
- "Stand By Me", Ben E. King
- "Earth Angel", The Penguins
- "Blue Moon", Richard Rodgers
Flamenco Progressionsi – ♭VII – ♭VI – V (or iv – ♭III – ♭II – I in Phrygian)
- "Hit the Road Jack", Ray Charles
- "Sultans of Swing", Dire Straits
- Traditional flamenco soleá
Classic Rock ProgressionsI – ♭VII – IV · i – ♭VI – ♭VII
- "Sweet Home Alabama", Lynyrd Skynyrd
- "Sympathy for the Devil", Rolling Stones
- "Johnny B. Goode", Chuck Berry
Folk ProgressionsI – IV – V – I · i – ♭VII – i (Dorian)
- "Scarborough Fair", traditional
- "House of the Rising Sun", The Animals
- "Drunken Sailor", traditional
Coltrane ChangesImaj7 – V7/♭VI – ♭VImaj7 – V7/III – IIImaj7 – V7 – Imaj7
- Coltrane's major-third cycle
- Reharmonized standards in the Coltrane style
- Modern jazz cadenzas
Minor Bluesi7 – iv7 – i7 – V7 (across 12 bars)
- "The Thrill Is Gone", B.B. King
- "Mr. P.C.", John Coltrane
- "Equinox", John Coltrane
Rhythm ChangesA: I – vi – ii – V · B: III7 – VI7 – II7 – V7
- "I Got Rhythm", George Gershwin
- "Oleo", Sonny Rollins
- "Anthropology", Charlie Parker
Devices & techniques
- "So What", Miles Davis
- "Give It Up or Turnit a Loose", James Brown
- Ravi Shankar ragas
TurnaroundsI – VI7 – ii – V7 · I – ♭III°7 – ii – V7
- Every 12-bar blues final two bars
- "I Got Rhythm" A-section closes
- Jazz standards of the 1940s
Ascending Bass LinesI – ii – iii – IV · I – I/2 – I/3 – IV
- "Like a Rolling Stone", Bob Dylan
- "Ain't Misbehavin'", Fats Waller
- "Friday I'm in Love", The Cure
Descending Bass Linesi – i(maj7) – i7 – i6 · i – ♭VII – ♭VI – V
- "Hit the Road Jack", Ray Charles
- "Stairway to Heaven", Led Zeppelin (intro)
- "A Whiter Shade of Pale", Procol Harum
Pedal Points(tonic or dominant sustained in bass)
- Chopin "Raindrop" Prelude
- Bach's Toccata and Fugue in D minor
- Beethoven "Pastoral" Symphony opening
Chord SubstitutionsV7 → ♭II7 · iv – ♭VII7 – I · vi ↔ I
- "Lady Bird", Tadd Dameron
- Coltrane's "Giant Steps" cycle
- Bach's chromatic sequences
Modal
Modal Progressionsi – IV (Dorian) · I – ♭VII (Mixolydian) · i – ♭II (Phrygian)
- "Oye Como Va", Santana
- "Dear Prudence", The Beatles
- "The Simpsons" theme
Dreamy ProgressionsI · II (Lydian) · i · IV (Dorian)
- "Dreams" by Fleetwood Mac
- "Space Oddity" by David Bowie
- "Flying in a Blue Dream" by Joe Satriani
Transposing
TransposingI–IV–V in C → I–IV–V in any key
- Every song transposed for a vocalist
- Capo-based guitar arrangements
- Jazz standards in all 12 keys
Build your own progression
Pick a key, follow the weighted map of what usually comes next, hear it, and jump to any chord. Open the generator →