Skip to content
piano.org
An open reference for piano: chords, scales, theory and ear training
/
Spotted something? Leave a note ↓

F Phrygian Dominant Scale

scale·/scales/phrygian-dominant-scale/f/

The F Phrygian Dominant Scale contains the notes F, G♭, A, B♭, C, D♭, and E♭.

Notes: F, G♭, A, B♭, C, D♭, E♭ · Piano keys: F G♭ A B♭ C D♭ E♭

Reviewed for accuracy · Last updated June 2026 · Maintained by Justin Evans

Jump to any SCALE
Piano Deck · Scale
Three quick cards on F Phrygian Dominant Scale
Answer on the keyboard, not with buttons. No login required.
F – G♭ – A – B♭ – C – D♭ – E♭ – F
Formula:H-A2-H-W-H-W-W
Intervals:P1-m2-M3-P4-P5-m6-m7

Practice F Phrygian Dominant Scale

Reading about it is one thing. Drilling it is what makes it automatic.

Scale Drill →Timed runs — every key, every tempoPractice Room →Plug in a MIDI keyboard for real-time feedback

Introduction

F Phrygian Dominant Scale on piano — F, Gb, A, Bb, C, Db, Eb, F
The F Phrygian Dominant Scale shown on a piano keyboard: F, Gb, A, Bb, C, Db, Eb, F.

The F Phrygian Dominant scale contains seven notes: F, G♭, A, B♭, C, D♭, and E♭. It follows the whole-step / half-step pattern H-A2-H-W-H-W-W.

F Phrygian Dominant Scale Notes

DegreeNameNoteInterval
1TonicFP1
2SupertonicG♭m2
3MediantAM3
4SubdominantB♭P4
5DominantCP5
6SubmediantD♭m6
7Leading ToneE♭m7
8OctaveF—

Key Signature

The F Phrygian Dominant Scale doesn’t line up with a single major or minor key, so it has no standard key signature. Its notes are written with accidentals as needed.

Accidentals

G♭B♭D♭E♭

Diatonic Chords in the F Phrygian Dominant Scale

These are the triads built on each degree of the F Phrygian Dominant Scale:

C1C2C3C4FACC6C7C8
I — F Major (major)
DegreeNumeralChordQuality
1IF MajorMajor
2IIG♭ MajorMajor
3iii°A DiminishedDiminished
4ivB♭ MinorMinor
5v°C DiminishedDiminished
6VI+D♭ AugmentedAugmented
7viiE♭ MinorMinor

F Phrygian Dominant Scale — Frequently Asked Questions

What are the notes of the F Phrygian Dominant Scale on piano?
The F Phrygian Dominant Scale uses the notes F – G♭ – A – B♭ – C – D♭ – E♭ – F. Play them in order from the root up to the octave, hands separately first, then together.
What notes are in the F Phrygian Dominant Scale?
The F Phrygian Dominant Scale contains seven notes: F – Gb – A – Bb – C – Db – Eb. The notes table above shows each note with its scale degree and interval from the root.
How many sharps or flats does F Phrygian Dominant have?
The F Phrygian Dominant Scale doesn't correspond to a single major or minor key, so it has no standard key signature. Its notes are written with accidentals as needed: G♭, B♭, D♭, E♭.
What does the F Phrygian Dominant Scale sound like?
The F Phrygian Dominant Scale has a dark Spanish/flamenco character driven by the lowered second degree. As a mode, it shares notes with a parent major scale but feels different because a different note acts as the tonal center.

Related Tools

Circle of FifthsVisualize key relationships, relative minors, and key signatures.Chord FinderLook up any chord — see the notes, hear it, and play along.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Chord DrillTimed drills to build speed and recognition across all chord types.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

How this scale page is sourced & verified

The note names, intervals, fingering, and harmony on this page are drawn from the established body of Western music theory and verified against the conventions below — the same fundamentals taught in conservatories and music programs. We list categories of source material rather than individual titles, and reference the standards themselves rather than any single edition.

  • Standard music theory texts — Widely taught fundamentals of pitch, rhythm, and notation.
  • Western tonal harmony conventions — Established rules for chord construction, voice leading, and key relationships.
  • Interval and chord construction standards — The conventional spelling of intervals, triads, sevenths, and extensions.
  • Scale and mode theory — The common derivation of major, minor, pentatonic, blues, and modal scales.
  • Piano pedagogy and technique references — Long-standing practices for fingering, hand position, and practice.

Spot something that looks off? Use the note form below — corrections are reviewed by hand.

Leave a note

Spotted a typo, have a question, or want to add something? We read every note.

0 / 1000