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D# Melodic Minor Scale

Melodic Minor Scale · D♯ – E♯ – F♯ – G♯ – A♯ – B♯ – C♯♯ – D♯ · intervals P1-M2-m3-P4-P5-M6-M7-P8

scale·/scales/minor/melodic/d-sharp/

The D# Melodic Minor Scale contains the notes D♯, E♯, F♯, G♯, A♯, B♯, and C♯♯.

Notes: D♯, E♯, F♯, G♯, A♯, B♯, C♯♯ · Piano keys: D♯ E♯ F♯ G♯ A♯ B♯ C♯♯

At the keyboard

D# · F · F# · G# · A# · C · D
Flashcards · Scale
Three questions on D# Melodic Minor Scale
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The D♯ Melodic Minor scale contains seven notes: D♯, E♯, F♯, G♯, A♯, B♯, and C♯♯. It follows the whole-step / half-step pattern W-H-W-W-W-W-H.

Enharmonic equivalent: D♯ is enharmonically equivalent to E♭. See Eb Melodic Minor Scale Scale.

D# Melodic Minor Scale Notes

DegreeNameNoteInterval
1TonicD♯P1
2SupertonicE♯M2
♭3MediantF♯m3
4SubdominantG♯P4
5DominantA♯P5
6SubmediantB♯M6
7Leading ToneC♯♯M7
8OctaveD♯P8

Key Signature

The D# Melodic Minor Scale uses the same key signature as D# natural minor (its relative major, F# Major) — 6 sharps (F♯, C♯, G♯, D♯, A♯, E♯). The raised 6th and 7th degrees are written as accidentals, not in the signature.

F♯C♯G♯D♯A♯E♯

Written as accidentals

B♯C♯♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Diatonic Chords in the D♯ Melodic Minor Scale

These are the triads built on each degree of the D♯ Melodic Minor Scale:

C1C2C3C4C5C6C7C8D#F#A#
iD♯ Minor (minor)
DegreeNumeralChordQuality
1iD♯ MinorMinor
2iiE♯ MinorMinor
3III+F♯ AugmentedAugmented
4IVG♯ MajorMajor
5VA♯ MajorMajor
6vi°B♯ DiminishedDiminished
7vii°C♯♯ DiminishedDiminished

D# Melodic Minor Scale — Frequently Asked Questions

What notes are in the D# Melodic Minor Scale?
The D# Melodic Minor Scale (ascending form) contains: D# E# F# G# A# B# C## (plus the octave). It raises both the 6th and 7th degrees of D# Natural Minor. The descending form reverts to natural minor. In jazz, the ascending form is used in both directions and is sometimes called the "jazz minor" scale.
Why does the melodic minor scale have two versions?
Classical theory uses two forms: ascending (with raised 6th and 7th for smooth upward movement) and descending (natural minor for smooth downward movement). In jazz, the ascending form is used in both directions — this single form is called the "jazz melodic minor" and is the standard in contemporary contexts.
How does D# Melodic Minor differ from D# Major?
The D# Melodic Minor Scale is like D# Major with a lowered 3rd degree. It shares 6 of the 7 notes with D# Major — only the 3rd is flatted. This gives melodic minor a unique hybrid character: it sounds almost major but with a minor 3rd colouring.
What is the fingering for the D# Melodic Minor Scale?
Right hand: 31234123. Left hand: 21432132. The melodic minor uses similar fingering to natural minor. Practice the ascending form first, then the descending natural minor form, before combining them into the full classical two-directional scale.
What modes come from the D# Melodic Minor Scale?
The D# Melodic Minor Scale generates seven modes, some with important names: Mode 2 (Dorian b2 / Phrygian #6), Mode 4 (Lydian Dominant), Mode 5 (Mixolydian b6), Mode 6 (Locrian #2 / Half-Diminished), and Mode 7 (Altered Scale / Super Locrian). These modes are foundational to modern jazz improvisation.
What music uses the D# Melodic Minor Scale?
Melodic minor is used in Classical music (Bach, Mozart, Romantic composers), jazz improvisation (especially over minor-major 7th chords and as the source of the altered scale), and in film music. The jazz melodic minor (ascending only) is one of the most important scales in modern harmony.

References & Further Reading

The note names, intervals, fingering, and harmony on this scale page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  2. 2

    Riemann, Hugo(1896)

    Harmony Simplified (English translation)

    Public domain treatise
  3. 3

    George Grove (ed.)(1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  4. 4

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