Construction
| Note | Interval | Degree |
|---|---|---|
| E♭ | Root | 1 |
| G♭ | Minor 3rd | ♭3 |
| B♭ | Perfect 5th | 5 |
| C | Major 6th | 6 |
| F | Major 2nd | 2 |
Notes: E♭ – G♭ – B♭ – C – F
Degrees: 1 – ♭3 – 5 – 6 – 9
Also written: E♭m6/9, E♭m69, E♭min6/9, E♭-6/9, E♭m6(add9)
E♭ Minor 6/9 chord: E♭, G♭, B♭, C, F
It is built from a root, minor third, perfect fifth, major sixth, and major ninth.
Also written: E♭m6/9, E♭m69, E♭min6/9, E♭-6/9, E♭m6(add9)
| Note | Interval | Degree |
|---|---|---|
| E♭ | Root | 1 |
| G♭ | Minor 3rd | ♭3 |
| B♭ | Perfect 5th | 5 |
| C | Major 6th | 6 |
| F | Major 2nd | 2 |
The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset, maintained by hand and corrected on the record, with no fixed publication date. Whether this particular entry has been reviewed by a person is stated in the maintained-by note above, not assumed here.
Arthur Foote and Walter R. Spalding(1905)
Modern Harmony in its Theory and Practice, Sections 170-173, chords of the eleventh and thirteenth, pp. 179-181; suspension p. 200; figured bass pp. 49, 84, 186
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