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Note identifier · Reference entry

What chord is D–F–B?

The notes D, F, and B spell B Diminished (Bdim) (1st inversion) — B the root, D the ♭3, and F the ♭5.

Ranked readings

Every chord these notes can spell, most complete first. The bass note anchors the root-position reading; each candidate maps every note to its scale degree.

B DiminishedBdimConfident

All tones of Bdim are present; the D note is lowest (1st inversion).

DegreeNoteIn this set
1Bsounding
♭3Dsounding
♭5Fsounding
D Minor 6thDm6Likely

root, ♭3, and 6th of Dm6 sound; it reads as Dm6 with the A (5) omitted.

DegreeNoteIn this set
1Dsounding
♭3Fsounding
5Aomitted
6Bsounding
D♭ 7♭9D♭7♭9Partial

3rd, ♭7, and ♭9 of D♭7♭9 sound; it reads as D♭7♭9 with the D♭ (1) and A♭ (5) omitted.

DegreeNoteIn this set
1D♭omitted
3Fsounding
5A♭omitted
♭7C♭sounding
♭9E♭♭sounding

Not these chords

Names these notes are often mistaken for. Each is ruled out because a defining tone of that chord is missing — the note that would make the name true simply is not being played.

Not Bdim7

Not Bdim7: a diminished 7th B chord needs A♭ as its ♭♭7 — A♭ is absent.

Not Ddim7

Not Ddim7: a diminished 7th D chord needs A♭ as its ♭5 — A♭ is absent.

Not Fdim7

Not Fdim7: a diminished 7th F chord needs A♭ as its ♭3 — A♭ is absent.

Not Bm7♭5

Not Bm7♭5: a half diminished B chord needs A as its ♭7 — A is absent.

Not Bdim(maj7)

Not Bdim(maj7): a diminished major 7th B chord needs A♯ as its 7th — A♯ is absent.

How these notes relate

D, F, and B is a voicing of Dm6 with the A (5th) left out.

Add A♭ (its ♭♭7) and the set reads as Bdim7.

Set-class analysis

The pitch-class set theory identity of these notes — order- and key-independent, computed from the set itself.

Pitch-class set
{2, 5, 11}
Normal order
[11,2,5]
Prime form
[0,3,6]
Interval vector
<002001>
Forte set class
3-10

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