E Minor 7th
Introduction
Notes
E Minor 7th Inversions
| Position | Notes |
|---|---|
| Root Position | E4 – G4 – B4 – D5 |
| 1st Inversion | G4 – B4 – D5 – E5 |
| 2nd Inversion | B4 – D5 – E5 – G5 |
| 3rd Inversion | E4 – G4 – B4 – D4 |
Key Signature
The key of E Minor 7th has 1 sharp: F♯.
Theory: Intervals
The E Minor 7th is built by stacking intervals from the root note. The formula R-m3-P5-m7 describes the scale degrees used. The intervals P1-m3-P5-m7 show the distance between each note in the chord.
E Minor 7th — Frequently Asked Questions
What notes are in the E Minor 7th chord?
The E Minor 7th chord (Em7) contains four notes: E (root), G (minor third), B (perfect fifth), and D (minor seventh). All white keys — making Em7 one of the easiest minor 7th chords to play on piano.
How does E Minor 7th differ from E Dominant 7th?
Both have E as root. Em7 has G (minor third) and D (minor seventh); E7 has G# (major third) and D (minor seventh). The minor third in Em7 gives it a mellow, introspective character compared to E7's bright, bluesy drive.
How is E Minor 7th used in music?
Em7 is the ii chord in D Major and the iii chord in C Major. It appears constantly in pop, rock, folk, and jazz. Em7 is also the second chord in the modal jazz classic So What by Miles Davis, where it alternates with Dm7.
What genres commonly use Minor 7th chords?
Minor 7th chords are essential in jazz, R&B, neo-soul, soul, funk, lo-fi hip-hop, and bossa nova. Em7 specifically crosses into folk, rock, and pop because E minor is one of the most common keys in guitar-driven music.
What songs use Minor 7th chords?
Em7 appears in So What (Miles Davis), Autumn Leaves, and countless pop songs. It is one of the most frequently played chords in popular music because E minor and G Major are among the most common keys.
What is the ii–V–I progression?
The ii–V–I is the most important jazz progression: Em7 (ii) → A7 (V) → Dmaj7 (I) in D Major. This progression appears in virtually every jazz standard and is essential vocabulary for jazz piano.
Practice Tips
- Em7 is all white keys (E–G–B–D) — use it alongside Dm7 to learn the minor 7th sound on the easiest possible chords.
- Practice the ii–V–I in D: Em7 → A7 → Dmaj7. D Major is a common key for acoustic music and jazz.
- Compare Em7 with E7 — one semitone (G vs G#) is the difference between mellow introspection and bluesy drive.
- Try the So What feel: alternate Dm7 (8 bars) and Em7 (8 bars) for a modal jazz vamp that defined an era.
- Em7 is the iii chord in C Major — try Cmaj7 → Dm7 → Em7 → Fmaj7 for a beautiful ascending diatonic walk.
- Rootless voicing: G–B–D without the E root — this is just a G Major triad, a common jazz shortcut for voicing the iii chord.