G Major 9th

Notes:G – B – D – F# – A
Formula:R-M3-P5-M7-M9
Intervals:P1-M3-P5-M7-M9
Scale Degrees:1-3-5-7-9

Introduction

The G Major 9th piano chord (Gmaj9) consists of the notes G, B, D, F#, A. It is a major 7th chord with an added major 9th, giving it a lush, sophisticated character often used in jazz, R&B, and neo-soul progressions. Formula: R-M3-P5-M7-M9 | Scale degrees: 1-3-5-7-9.

Notes

Notes:G – B – D – F# – A

G Major 9th Inversions

PositionNotes
Root PositionG4 – B4 – D5 – F#5 – A5
1st InversionB4 – D5 – F#5 – G5 – A5
2nd InversionD5 – F#5 – G5 – A5 – B5

Key Signature

The key of G Major 9th has 1 sharp: F♯.

F

Theory: Intervals

Formula: R-M3-P5-M7-M9
Intervals: P1-M3-P5-M7-M9

The G Major 9th is built by stacking intervals from the root note. The formula R-M3-P5-M7-M9 describes the scale degrees used. The intervals P1-M3-P5-M7-M9 show the distance between each note in the chord.

G Major 9th — Frequently Asked Questions

What notes are in the G Major 9th chord?

The G Major 9th chord (Gmaj9) contains five notes: G (root), B (major third), D (perfect fifth), F# (major seventh), and A (major ninth). It is Gmaj7 with an added ninth.

How does Gmaj9 differ from G9?

Gmaj9 has a major seventh (F#). G9 has a minor seventh (F). Gmaj9 is dreamy and resolved; G9 is dominant and drives to C.

How is Gmaj9 used in music?

Gmaj9 is a lush tonic in G Major and the IV chord in D Major. G is one of the most common keys, making Gmaj9 popular in folk-jazz, singer-songwriter, and acoustic music.

What songs use Major 9th chords?

Major 9th chords appear in neo-soul, jazz, and lo-fi. Gmaj9 is common in acoustic and folk-jazz contexts.

How does Gmaj9 differ from Gadd9?

Gmaj9 includes the major seventh (F#). Gadd9 has no seventh. Gmaj9 is warmer and more sophisticated.

Do I need to play all five notes?

No — drop the fifth: G–B–F#–A is the practical voicing.

Practice Tips

  • Play Gmaj7 then add A — hear the lush expansion.
  • Drop the fifth: G–B–F#–A is standard.
  • Gmaj9 is beautiful in acoustic music — try it as a rich tonic in folk-jazz settings.
  • Practice Am9 → D13 → Gmaj9 for the ii–V–I in G.
  • Gmaj9 as IV in D Major: Dmaj7 → Gmaj9 is a gorgeous movement.
  • Rootless: B–D–F#–A (Bm7 shape) for jazz comping.