Db Dominant 7th Sharp 11

Notes:Db – F – Ab – B – G
Formula:R-M3-A4-P5-m7
Intervals:P1-M3-A4-P5-m7
Scale Degrees:1-3-#4-5-b7

Introduction

The Db Dominant 7th Sharp 11 piano chord (Db7\u266f11) consists of the notes Db, F, G, Ab, B. It is a dominant 7th chord with an augmented (sharpened) 11th, creating a distinctive tritone clash, giving it a tense, tritone-driven character central to the Lydian Dominant sound in jazz and fusion. Formula: R-M3-A4-P5-m7 | Scale degrees: 1-3-#4-5-b7.

Enharmonic equivalent: D♭ is enharmonically equivalent to C♯. See C# Dominant 7th Sharp 11.

Notes

Notes:Db – F – Ab – B – G

Db Dominant 7th Sharp 11 Inversions

PositionNotes
Root PositionDb4 – F4 – Ab4 – B4 – G5
1st InversionF4 – G4 – Ab4 – B4 – Db5
2nd InversionG4 – Ab4 – B4 – Db5 – F5

Key Signature

The key of Db Dominant 7th Sharp 11 has 5 flats: B♭, E♭, A♭, D♭, G♭.

BEADG

Theory: Intervals

Formula: R-M3-A4-P5-m7
Intervals: P1-M3-A4-P5-m7

The Db Dominant 7th Sharp 11 is built by stacking intervals from the root note. The formula R-M3-A4-P5-m7 describes the scale degrees used. The intervals P1-M3-A4-P5-m7 show the distance between each note in the chord.

Db Dominant 7th Sharp 11 — Frequently Asked Questions

What notes are in the Db Dominant 7th Sharp 11 chord?

Db7#11 contains: Db (root), F (major third), G (sharp 11th), Ab (perfect fifth), Cb (minor seventh). Lydian Dominant sound.

How does Db7#11 differ from Db7?

Adds G (the #11). Brighter and more complex than standard Db7.

How does Db7#11 differ from Db11?

Db11 has natural 11th (Gb) which clashes with the third. Db7#11 has G which sits comfortably.

How is Db7#11 used in music?

Lydian Dominant chord. Jazz tritone substitution. Db7#11 is the tritone sub for G7.

What scale matches Db7#11?

Db Lydian Dominant: Db, Eb, F, G, Ab, Bb, Cb — 4th mode of Ab melodic minor.

What songs use 7#11?

Modern jazz. Herbie Hancock, Chick Corea.

Practice Tips

  • Play Db7 then add G — hear the Lydian Dominant brightness.
  • The #11 (G) doesn't clash with the third (F).
  • Db7#11 is the classic tritone sub for G7 — practice this substitution.
  • Lydian Dominant scale: Db–Eb–F–G–Ab–Bb–Cb.
  • Sophisticated substitute for any Db7.
  • Voicing: F–Cb on left, G–Db on right.